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Next week’s screenings (January 14 and 19) of French filmmaker Jean Renoir’s masterpiece The Rules of the Game (La règle du jeu) at BAMPFA provide a rare opportunity to enjoy the 35mm print of this film on the big screen in its state of the art facilities. The screenings of the 1939 film, regarded by many as one of the best films ever made, also provide an opportunity to inform you of library resources like Kanopy – an on-demand streaming video service which provides access to more than 26,000 films – allowing the UCB community to watch movies on anywhere in lieu of the viewing stations in Moffitt Library’s Media Resources Center. An online database of BAMPFA’s extensive collection of film documentation called CineFiles makes it easy to pull up reviews and other information on major filmmakers. Article databases such as FIAF, Film and Television Literature Index, and the MLA International Bibliography can help you locate scholarly articles on Jean Renoir and other figures of world cinema. For readers of French, Cairn.info – an online collection of more than 400 French and Belgian journals – is a quick way to retrieve full-text articles instantly. And lastly, if you’re just looking for good old-fashioned paper books, the Library has more than 183 of those in OskiCat on Jean Renoir alone.
The Art History/Classics Library recently acquired an exhibition catalog from an exhibit currently up at the Berkeley Art Museum until October 1, 2017, Charles Howard: A Margin of Chaos.
The catalog features contributions from UC Berkeley History of Art Professor Lauren Kroiz, BAM Curator Apsara DiQuinzio, and Curatorial Assistant, Valerie Moon.
From the publisher website:
“Charles Howard: A Margin of Chaos accompanies the first museum exhibition dedicated to American artist Charles Houghton Howard (1899–1978) since 1956. Howard, part of a circle of artists that included Alexander Calder, Gordon Onslow Ford, Grant Wood and Ben Nicholson, had an active and distinguished career in midcentury America and England. His enigmatic, meticulous paintings, often intimate in scale, bridge figurative, Surrealist and abstract currents in modern art. Though his work evolved over his career, Howard said that all of his pictures “are closely related … They are in fact all portraits of the same general subject, of the same idea, carried as far as I am able at the time.” The first scholarly publication on Howard, this fully illustrated volume includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard’s own essays from 1946, an illustrated chronology and exhibition history.”