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Posts by Author: Lynn Cunningham
Join us for a workshop and discussion on image copyright, designed for graduate students working with visual media.
Wednesday, September 27
12:00-2:00 in 308A Doe Library, (inside the Art History/Classics Library)
Rachael Samberg, Scholarly Communications Officer
Lynn Cunningham, Art Librarian
Welcome back students and faculty! Fall hours for the Art History/Classics Library begin August 23rd.
The Art History/Classics Library recently acquired an exhibition catalog from an exhibit currently up at the Berkeley Art Museum until October 1, 2017, Charles Howard: A Margin of Chaos.
The catalog features contributions from UC Berkeley History of Art Professor Lauren Kroiz, BAM Curator Apsara DiQuinzio, and Curatorial Assistant, Valerie Moon.
From the publisher website:
“Charles Howard: A Margin of Chaos accompanies the first museum exhibition dedicated to American artist Charles Houghton Howard (1899–1978) since 1956. Howard, part of a circle of artists that included Alexander Calder, Gordon Onslow Ford, Grant Wood and Ben Nicholson, had an active and distinguished career in midcentury America and England. His enigmatic, meticulous paintings, often intimate in scale, bridge figurative, Surrealist and abstract currents in modern art. Though his work evolved over his career, Howard said that all of his pictures “are closely related … They are in fact all portraits of the same general subject, of the same idea, carried as far as I am able at the time.” The first scholarly publication on Howard, this fully illustrated volume includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard’s own essays from 1946, an illustrated chronology and exhibition history.”
UC Berkeley Professor, Julia Bryan-Wilson, contributes to a new publication: Cecilia Vicuña: About to Happen. About to Happen, accompanies an exhibition which will travel to the Berkeley Art Museum in 2018-2019.
From the publisher website, Siglio Press:
Beginning and ending at the edge of the ocean at the sacred mouth of the Aconcagua River, About to Happen serves as a lament as well as love letter to the sea. In this artist’s book, Chilean-born artist and poet Cecilia Vicuña weaves personal and ancestral memory while summoning the collective power to confront the economic disparities and environmental crises of the 21st century.
Collecting the detritus that washes up on shore, Vicuña assembles out of the refuse tiny precarios and basuritas—little sculptures held together with nothing more than string and wire, which she sometimes makes as offerings to be reclaimed by the sea. These acts of creation and erasure mirror the ways in which her work inhabits and enlivens the liminal spaces between the remembered and forgotten, the revered and the discarded, the material and the dematerialized.
About to Happen, which accompanies an exhibition at the Contemporary Arts Center, New Orleans, traces a decades-long practice that has refused categorical distinctions and thrived within the confluences of conceptual art, land art, feminist art, performance and poetry. Vicuña’s nuanced visual poetics—operating fluidly between concept and craft, text and textile—transforms the discarded into the elemental, paying acute attention to the displaced, the marginalized and the forgotten.
The Fine Arts Collection of the Art History/Classics Library at UC Berkeley is now on Instagram and Twitter. Follow us for the latest collection news, events, and acquisitions.
The Art History/Classics Library at UC Berkeley has received a donation of four books on Modern Chinese Painting from the American Society for the Advancement of Chinese Arts (ASACA), and the Bay-Area based, Chinese-American artist Hou Beiren.
Hou Beiren Art Museum, published by the Hou Beiren Art Museum in the city of Kunshan, China, 2005
Century Meeting of Writing Brush: Collection of Zhu Qizhan and Hou Beiren’s special works for the Shanghai World Expo, published by Beijing Arts & Crafts Publishing House, China, 2010
Selected Paintings of Pei-Jen Hau (Selected Paintings of Beiren Hou), published by Foreign Languages Press, Beijing, China, 1997
夢裏家山: 遼寧籍旅美畫家侯北人捐贈作品集 (Homeland in My Dreams: Donated Artworks by Hou Beiren, An American Artist from Liaoning), published by Liaoning People’s Publishing House, China, 2015
Pictured: Karen Tseng and Susan Chan of the American Society for the Advancement of Chinese Arts (ASACA), with the Art Librarian.
Whitney Davis (George C. and Helen N. Pardee Professor of History and Theory of Ancient and Modern Art at UC Berkeley), is publishing Visuality and Virtuality: Images and Pictures from Prehistory to Perspective with Princeton University Press, forthcoming, November 2017 (ISBN: 9780691171944).
From the Princeton University Press website:
“This book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture.
A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.”
The Art History/Classics Library has received a gift of six photography titles from donor Richard Sun. In addition to being the donor of a generous endowment to the Library Fine Arts Collection at Berkeley, Richard Sun annually selects and purchases specific titles for the Library. Here are his most recent selections:
Yoko My Love, by Nobuyoshi Araki
Sentimental Journey – Winter Journey, aka “Diary Sentimental Journey,”, by Nobuyoshi Araki
Shokuji (The Banquet), by Nobuyoshi Araki
The Dream, by Fabio Bucciarelli
Discordia, by Moises Saman
Poste Restante, by Christer Strömholm
Professor Julia Bryan-Wilson publishes a new book, Fray: Art and Textile Politics, due out in September from the University of Chicago Press.
From the University of Chicago Press website:
“The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.”
Join Julia Bryan-Wilson as she launches her new book Fray: Art and Textile Politics (University of Chicago, 2017), in conversation with artist Angela Hennessy and art historian Richard Meyer. Thurs. Sept. 7 at 5:15pm at the Berkeley Art Museum/Pacific Film Archive.