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What’s New

Reframing Aging photo exhibit challenges views on growing old

Reframing Aging, an exhibit about changing attitudes toward growing old, is on display in Doe Library. (Photo by Cade Johnson for the University Library)
“Reframing Aging” will be on view through March 2. (Photo by Cade Johnson for the University Library)

“We’re old! What’s wrong with that?” asked photographer Nancy Rubin in a recent California magazine article. A new exhibit — featuring Rubin’s photos, with interviews by writer Cynthia Overbeck Bix — evokes this question, and others, while challenging existing views on aging. For the exhibit, Rubin, a former teacher at Berkeley High, photographed a dozen subjects, many of whom have embraced a new pursuit in their retirement. Their stories — and photos — will be on view in the exhibit, called Reframing Aging, in Doe Library through March 2.

February 1: Lunch Poems featuring TC Tolbert

TC Tolbert
© Hannah Ensor

Thursday, February 1
12:10 p.m. – 12:50 p.m.
Morrison Library in Doe Library
Admission Free

TC Tolbert often identifies as a trans and genderqueer feminist, collaborator, dancer, and poet but really s/he’s just a human in love with humans doing human things. The author of Gephyromania and three chapbooks, Tolbert is also co-editor (along with Trace Peterson) of Troubling the Line: Trans and Genderqueer Poetry and Poetics. S/he is currently studying to be an EMT and spends his summers leading wilderness trips for Outward Bound. Tolbert was recently named Tucson’s Poet Laureate.

 

Campus WiFi experiencing sporadic outages

Beginning on Thursday, January 18, the wireless network across campus has been experiencing instability. Affected networks include CalVisitor, AirBears2, and eduroam. IST staff is working to resolve the issue. Please check the UC Berkeley Systems Status website for updates.

Watch: New to the UC Berkeley Library? Here’s a primer. 🎥

Want to experiment with technology? Searching for a quiet place to study? Need help with research? Watch our video to learn how to get the most out of the UC Berkeley Library and its vast resources.

Stranger than fiction? UC Berkeley alum Willie Gordon’s life story comes quite close

Willie C. Gordon
Mystery writer Willie Gordon was honored at the “Crime Does Not Pay – Enough!” event in Morrison Library in October. (Photo by Cade Johnson for the University Library)

In his novels, Willie Gordon writes about people on the fringes of society: an oversexed dwarf, a dominatrix, an albino sage.

But it’s when discussing his real life that things start to get truly strange.

Gordon once hitchhiked across the globe, sleeping in cemeteries to save money. He had a 27-year marriage with international best-selling Chilean-American author Isabel Allende. His father was a preacher, having invented his own religion, called The Infinite Plan.

“The story of my life is more interesting than anything I could ever write,” says Gordon, 80, in a phone interview.

Gordon, who calls Marin County home, also is a supporter of the UC Berkeley Library. A recent donation will provide a “significant boost” to The Bancroft Library’s burgeoning California Detective Fiction Collection — which numbers about 3,000 (and counting) mystery novels set in the Golden State or written by California authors.

“Not only will we be able to add important titles to the collection, but this gift also provides funds for cataloging and processing, enabling us to make the materials available for research much sooner than would otherwise be possible,” says Randal Brandt, who curates the collection, in addition to serving as the head of cataloging at Bancroft.

Gordon also donated manuscripts, ephemera, and 22 volumes of his books in foreign languages.

Having his work immortalized in Bancroft’s collection is “like getting the Nobel Prize,” he says.

“When they make you part of the Library and there’s a chance to give something back, I don’t know, it was just perfect,” he says. “It was just unbelievable. I was so happy with that. Even now, I can’t tell you how wonderful it is.”

Items from the Gordon collection
Items from Gordon’s collection in The Bancroft Library include a miniature Volkwagen bus, matchboxes, and copies of his books. (Photo by Jami Smith for the University Library)

A safe haven

Gordon’s affinity for libraries began unexpectedly.

His father died when Gordon was only 6, and after his death, the family moved to a depressed area of East Los Angeles.

“We were broke,” Gordon recalls.

On his first day of school, Gordon walked out of the school’s gate to a startling sight: A gang of five boys were waiting to beat him up. They began to chase him. Gordon, seeking safety, ran into a church.

“I kept yelling for God to help me,” he says.

But Gordon didn’t stand a chance. The boys, he says, “beat the (expletive) out of me.”

Sure enough, the next day, the gang of boys were waiting for him again.

“I figured I could run fast and avoid these guys again,” Gordon says.

And he did run — but this time, he darted straight to a library he noticed on a side street on his way to school. This time, safe inside the library, Gordon avoided a second beating.

And then the learning started.

He asked the librarian to show him the kids section — and to teach him the alphabet — to which she obliged.

“I would go there every day after school,” he says. “And she taught me how to read.”

Man of mysteries

If there’s a typical path to becoming a mystery writer, Gordon didn’t take it.

“I knew (from) the time I was 6 years old I was going to be a writer,” Gordon says. “I knew I was going to be 60 years old. So it all worked out.”

As a second-grader, an enterprising young Gordon shined shoes to make a buck. He would take his shoeshine box, which he built, hop on a streetcar to downtown Los Angeles, and peddle his services on Main Street, “where all the winos were,” he says.

“On the streetcar you would find dime novels that people would leave — discarded mysteries,” he says. “So I would read those.”

And so began his love for the genre.

Gordon gravitated toward writers such as W. Somerset Maugham and Erle Stanley Gardner. As a mystery writer, Gordon describes his fondness for using plot twists in his own work as being inspired, in part, by Maugham (“I like to surprise the reader,” Gordon says). And Gardner, best known for his stories revolving around criminal defense lawyer Perry Mason, was a lawyer, a career Gordon would go on to pursue. “I loved him,” Gordon says of Gardner. “I thought he was fantastic.”

Diploma from UC Berkeley
Gordon’s diploma from UC Hastings College of the Law is part of Bancroft’s collection. (Photo by Jami Smith for the University Library)

Gordon’s own law career began in 1965, after graduating from UC Hastings College of the Law, in San Francisco, a year earlier. By that time, Gordon had graduated from UC Berkeley with an English degree (“I loved it,” he says) — and had served a stint in the Army. From 1965 to 2002, Gordon represented people with workplace injuries — including many poor Latinos.
“When I was a lawyer, I basically took care of the little guy,” Gordon says. “Those were the people I knew.”

And, perhaps not coincidentally, the “little guy” — characters at the margins of society — eventually made their way into Gordon’s work after retiring from his legal career and starting a second act as a mystery writer — at age 60, as he predicted.

Two decades into his career as a writer, Gordon has released six books in a series of noir mysteries set in 1960s San Francisco that chronicles newspaper reporter Samuel Hamilton. Gordon made Hamilton’s profession a reporter — instead of a cop or an investigator, or even a lawyer — because, as he puts it, “I needed someone who needed to get help from everybody.”
“You have all kinds of people who have no names to the rest of the world,” he says, “but they’re the ones who help you get through life.”

A book-promotion poster.
Other items from Gordon at Bancroft include this poster for his book “The Ugly Dwarf.” (Photo by Jami Smith for the University Library)

The characters in Gordon’s book include an albino Chinese sage, inspired by a real person Gordon saw in San Francisco; a dominatrix, modeled after his father’s real-life assistant; and an oversexed dwarf, based on Gordon’s father, who he describes as “emotionally a dwarf.”

“Everyone has a place,” he says.

In addition to drawing from real life, Gordon also attributes much of his ideas to what he calls “creative realization.”

“I have to visualize it before I can write about it,” he says. “Because I write about what I see.”

This approach, he says, is something he shared with the celebrated writer Isabel Allende (who in 2014 was awarded the Presidential Medal of Freedom by Barack Obama). Allende’s 1991 novel, “The Infinite Plan,” largely draws from Gordon’s life. The book, Gordon says, is “emotionally accurate.”

“You visualize things as they’re needed in your work,” he explains. “I noticed that Isabel did that, too. I was totally shocked that we shared that. As a writer, that’s all you need.”

Gordon had already known how to tell a story, but, during his relationship with Allende, she helped him hone his craft. Each character has to have a meaning, she taught him, and “how you describe a character emotionally is as important than anything else.”

“And then you do what you’re good at,” he says.

‘All my dreams’

These days, Gordon is working on a collection of short stories. He’s about halfway done.

But at this stage in life, Gordon’s impact extends beyond that of his written work. As a philanthropist, he has given back to causes near to his heart.

In Southern California, he has contributed to the libraries at Whittier High School, where he served as student body president many years ago, and Los Nietos Middle School (Gordon is a Los Nietos alum), and he provided funding for a learning center in Santa Fe Springs. With his donations to Bancroft, he says, “I wanted to save the best for last.”

Gordon is bursting with stories. And after listening to him tell some of them, one thing becomes clear: He has lived a full — and successful — life.

Is there anything he has yet to accomplish?

“I’ve fulfilled all my dreams,” he says.

“I’ve completed everything I’ve wanted to complete,” he adds. “And I’m not finished.”

Digital assets unavailable Jan. 23, 7-8am

On Tuesday, January 23, 2018 at 7am we will perform maintenance on the server that hosts many of our digital assets. It should be back by 8am.

This will affect all links to digital assets which include images, PDFs, and datasets that we host.

OskiCat downtime Jan 18, 2018

Due to server maintenance OskiCat will be unavailable on Thursday, January 18, 2018 from 6-7am.

Library tours, January 16-19

Library Tours

Join other students and get your bearings with a 3-in-one tour of the Doe Memorial Library, Moffitt Undergraduate Library, and the Main Stacks. See these central libraries and learn about the student services they provide. Tour starts at the north entrance of Doe Library.

January 16 – 19
2-3 p.m.

Printing interruption Jan 2-5, 2018

January 2-5, 2018 there will be a pay-for-print interruption in all of the libraries as we transition to a new service and conduct tests.

We appreciate your patience.

Watch: Rare book gets vibrant new life with help from Library

How can the UC Berkeley Library help breathe new life into old materials?

Just ask Jonathan Zwicker.

Over the course of the fall semester, Zwicker and students from his Seminar in Classical Japanese Texts worked on translating and historically annotating a rare book from the Library’s collections.

The goal? To make a factually enriched translation of the book available online, where it can be used by scholars across the world.

The original book, digitized in Moffitt Library, is a travelogue by Japanese author Kyokutei Bakin, chronicling the people he met and the strange things he saw on his travels from Edo — modern Tokyo — to Osaka and Kyoto in the early 1800s. (One interesting thing he encountered? A robotlike mechanical crab that holds a sake cup, made to deliver rice wine to guests. Bottoms up!)

Employee demonstrates digitizing a Japanese travelogue from the 1800s
Macayli Hausmann, an imaging specialist, demonstrates the digitization of a rare Japanese book from the 1800s in Moffitt Library. An enhanced version of the book will be available to scholars worldwide. (Photo by Jami Smith for the University Library)

In researching and annotating the text, Zwicker and his students tied the book to other Library materials, such as 19th-century maps, to bring the work to life and provide historical and geographic context.

This project marks the first time the book has ever been translated and historically annotated.

“I didn’t actually have a definite idea of what I wanted to come out of (the project) other than that it would be somehow available online in some way — to leverage these new technologies to make what we were doing both open to people but also to show the interconnections between the different materials,” said Zwicker, associate professor in the Department of East Asian Languages and Cultures. “That’s, to me, the most interesting part of the book.”

Zwicker’s project is just one part of a broader collaborative effort guided by the Library that offers grants to help make educational resources openly available to students at UC Berkeley — and to scholars everywhere.

“Our program has a dual focus — first, on the creation of open textbooks to yield cost savings for students,” said Rachael Samberg, scholarly communication officer at the UC Berkeley Library, who is directing the effort, “and second, for other courses, it’s more about how incentivizing the creation of open books encourages pedagogically and scholarly innovative projects that benefit not just Berkeley students, but also researchers around the world.”

Zwicker said he hopes that going through the process of creating a new text will help provide a model for others who are pursuing similar projects. He’s already planning to pursue more projects like this one in the future.

And, he said, he couldn’t have done it without the support he received from the Library.

“It’s incredibly rewarding to feel that there’s this much enthusiasm for this kind of work and institutional support, and people are really — they’re not just providing help, but they’re also providing moral support,” he said. “And that’s invaluable.”

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