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International & Area Studies

Year 4 of funding for materials in less commonly taught European languages

LCTLs

Three years ago, the Institute of European Studies established a special fund to support the UC Berkeley Library in acquiring scholarly resources in or about less commonly taught European languages (LCTLs). Students, both undergraduate and graduate, lecturers and faculty who wish to use library materials (books, ebooks, graphic novels, dissertations, DVDs, etc.) in a European LCTL and published in Europe that are currently not available on the Berkeley campus, are encouraged to fill out the Library Recommendation Form and mention “IES LCTL Support” in the Comments section.

This support only applies to LCTLs that are still spoken today in Western, Northern, or Southern Europe (i.e. all European languages with the exception of German, French, Italian and Spanish); no support will be given for classical or extinct languages nor for Slavic and other Eastern European languages supported by the Institute of Slavic, East European, and Eurasian Studies.

A few examples of titles acquired last year include:

Barcino by Maria Carme Roca.

Chrēstiko lexiko tēs neoellēnikēs glōssas / syntaxē-epimeleia by Christophoros G. Charalampakēs ; vasikoi synergates Stauroula Zapheirē [and 7 others].

Description de l’occitan parlé à Sénaillac-Lauzès (Lot) et dans les communes voisines by Jean Sibille

La langue d’oc telle qu’on la parle: atlas linguistique de la Provence by Jean-Claude Bouvier, Claude Martel cartographie et mise en page par Guylaine Brun-Trigaud.

Lexiko tōn dyskoliōn kai tōn lathōn stē chrēsē tēs Hellēnikēs: glōssikos symvoulos: gia na miloume kai na graphoume sōsta Hellēnika by Geōrgiou D. Bampiniōtē

El nen que volia matar by Lolita Bosch

Ramon Llull essencial: retrar d’un pare d’Europa by Pere Villalba

La societat valenciana en l’espill lingüístic : què diuen les llengües quan parlen de nosaltres? by Juli Martínez Amorós

The Syntax of old Romanian edited by Gabriela Pană Dindelegan; consultant editor, Martin Maiden

Taal en identiteit in de Rand: een analyse van de taalsituatie in de Rand rond Brussel op basis van de Brio-taalbarometer by Rudi Janssens

Thermē kai phōs: aphierōmatikos tomos stē mnēmē tou A.-Ph. Christidē = Licht und wärme : in memory of A.F. Christidis / epistemonikē epimeleia Maria Theodōropoulou

Tragèdies silenciades : repressió franquista i maquis a les comarques del nord del País Valencià by Raül González Devís

La visita by Enric Virgili

Van mij valt niks te leren by Peter Buwalda

Vic-Bilh: une langue, un pays: ethnolinguistique du Vic-Bilh by Jan Bonnemason

Vrouwen van de wereld by Tommy Wieringa

Waarom iedereen altijd gelijk heeft by Ruben Mersch

 

 

 

Qu’est-ce que l’accès ouvert?

Qu’est-ce que l’accès ouvert?

In recognition of Open Access Week 2017, here’s a link to the French translation of Peter Suber’s important summary of the open-access movement published in 2012. The English edition is openly available too of course.

Vivid, vintage posters bring Bollywood exhibit to life

Students view the "Love Across the Global South" exhibit after its opening event on Oct. 6, 2017. (Photo by Cade Johnson for the University Library)
Students view the Love Across the Global South exhibit on opening night, Oct. 6, 2017. (Photo by Cade Johnson for the University Library)

The first thing you notice is its size.

Stretching across an 8-foot expanse, it features a blockbuster movie trifecta: crime, intrigue, a handsome leading man.

The six-panel billboard, digitally shrunk from its original size by about 30 percent, advertises the 1975 film Deewaar. (The movie, cited as a masterpiece of Bombay cinema — or Bollywood cinema, as it’s often called — influenced, among other works, Danny Boyle’s Oscar-winning Slumdog Millionaire.)

And it’s just one of the vibrantly hued, richly textured, and beautifully preserved movie posters on display in a new exhibit at Doe Library’s Brown Gallery, called Love Across the Global South: Popular Cinema Cultures of India and Senegal.

The posters, dating from 1957 to 2011, were collected by exhibit co-curator Sugata Ray on his travels in India, and they offer eye-catching portals into the genre and its influence.

“Every single piece is an integral part of the story we tell,” co-curator Ivy Mills said.

Read the full story at stories.lib.berkeley.edu.

A first-of-its-kind look at Chinese overseas treasures, scholarship

UC Berkeley's Chinese American archives, including photos, manuscripts and artwork, such as the piece shown here, is one of the largest in North America. (Image courtesy of The Bancroft Library, Chinese in California Collection. BANC PIC 1986.015:73--PIC)
The UC Berkeley Library’s collections include photographs, manuscripts, prints, and artwork, such as the piece shown here, of the Chinese in California and the American West. (Image courtesy of The Bancroft Library, Chinese in California Collection. BANC PIC 1986.015:73–PIC)

To trace the story of Asian American studies, you must go back to the 1960s. And any story about the genesis of the discipline would be incomplete without Ling-Chi Wang.

He was there from the beginning: In the late ’60s, amid student protests demanding diverse representation in academic programs, Wang helped establish the disciplines of Asian studies and ethnic studies at UC Berkeley.

Now a professor emeritus at UC Berkeley, Wang will deliver the keynote address Thursday at the Chinese Overseas Symposium, a first-of-its kind event focusing on UC Berkeley-oriented Chinese overseas scholarship and curatorship for an international audience.

‘Transforming American history’

With three other graduate students, Wang taught the first course in Asian American studies at UC Berkeley, in the winter quarter of 1969. Later that same year — and at the same time — the very first ethnic studies programs were born at UC Berkeley and San Francisco State. They were unlike anything the country had seen.

“Berkeley can justifiably be proud of its role in transforming American history and identity and making interdisciplinary American studies inclusive,” said Wang, who retired in 2006.

In just two years, in 2019, Berkeley’s Asian American studies program (now called Asian American and Asian diaspora studies) is marking its 50th anniversary — a momentous occasion for which Wang is involved with fundraising efforts.

“We have a proud legacy upon which we can build our future and engage the nation in the study of race and gender and in global diaspora studies,” he said. “We need to invest and change our priorities if we are to lead.”

‘Best of our highlights’

The event Thursday aims to honor that legacy — and to “sow the seeds of good will,” according to symposium co-chair Virginia Shih — while showcasing the Library’s world-class collections. The free, daylong event is a prelude of sorts to a conference Friday in San Francisco, called “This Land Is Our Land: Chinese Pluralities Through the Americas.”

And it’s a true collaboration, featuring an interdisciplinary group of speakers that includes librarians and professors alike.

“One of the exciting things about Chinese overseas is it spans the whole world,” said symposium co-chair Sine Hwang Jensen, who serves as Asian American studies and comparative ethnic studies librarian at UC Berkeley. “That’s why the perspectives that everyone brings — and we bring — contribute something unique to the topic.”

The Chinese Overseas Symposium's logo.
The Chinese Overseas Symposium’s logo

Harvey Dong, for example — one of the featured speakers — participated in the student strike in 1969 that led to the creation of ethnic studies and Asian American studies and will bring this perspective to the symposium in his talk about how the rediscovery of early Chinese American history has influenced generations of students. And Professor Emeritus Wang will talk about the past, present, and future of Chinese American studies at UC Berkeley and beyond.

In the afternoon, visitors will get a taste of what the UC Berkeley Library has to offer. The tours stop at four libraries — The Bancroft Library, the C. V. Starr East Asian Library, the South/Southeast Asia Library, and the Ethnic Studies Library, which boasts one of the largest Chinese American collections in North America. Tours will highlight the Library’s wide range of materials, including photographs, manuscripts, prints, and paintings documenting the experience of the Chinese in California and the American West, as well as materials from the vast collection of film critic and historian Paul Fonoroff — which is the largest Chinese film studies collection in North America — among other treasures.

“(The event) gives the people the best of our highlights — in one day,” said Shih, librarian for the Southeast Asia collections.

A relevant occasion

The symposium’s organizers hope that showcasing the Library’s resources will encourage scholars to take advantage of the materials — and perhaps even inspire scholarly collaborations.

But it comes a time when the country is in a state of deep division, with questions of identity and inclusion rising to prominence.

“Where we’re at politically, (the event) is more essential,” said symposium co-chair Jensen. “We’re having a national conversation about belonging.”

“It’s very relevant today,” she said.

Admission is free, and registration is closed, but those who show up will not be turned away, as space allows.

For details, including a schedule, go to the Chinese Overseas Symposium’s website.

La rentrée littéraire

September is the month when an unusually high concentration of new publications are released to the European market, notably in France and Belgium. While it may take a few more weeks for these books to reach us in Berkeley and get cataloged, some are already making their way to the shelves. Remember, all new books destined for the Main Stacks are first displayed on the third floor of the Moffitt Library and also listed on the recent acquisitions lists for French, Italian and Iberian studies in OskiCat for your convenience. Enjoy!

Exhibit examines Russian Revolution 100 years later

Vladimir Lenin was known for his oration skills, illustrated here. Smokestacks, representing an industrialized future, and the red banner are common motifs in Soviet propaganda. (Valentin Shcherbakov, “A Spectre Is Haunting Europe, the Spectre of Communism”)
Vladimir Lenin was known for his oration skills, illustrated here. Smokestacks, representing an industrialized future, and the red banner are common motifs in Soviet propaganda. (Valentin Shcherbakov, “A Spectre Is Haunting Europe, the Spectre of Communism”)

Russia has dominated popular discussion recently, as news junkies and casual observers alike can tell you.

But how much do you actually know about the country’s history?

As it turns out, 2017, which has been anything but uneventful so far, marks 100 years since the Russian Revolution. And although the Kremlin may not be officially commemorating the centenary, the UC Berkeley Library is exploring the topic in a vivid new exhibit at Moffitt Library.

For those who need a refresher, the revolution consisted of a pair of coups, both in 1917: The first saw the demise of the monarchical government of Tsar Nicholas II, and the other, led by Vladimir Lenin and the Bolsheviks, led to the rise of the world’s first communist state, which would fall in 1991 (which, for some millennials, might as well be ancient history).

With feedback from key scholars on campus, Liladhar Pendse, Slavic and East European studies librarian at UC Berkeley, curated the exhibit, called “The Russian Revolution Centenary: 1917-2017: Politics, Propaganda and People’s Art.”

“The revolutions result in upheavals that generally lead to big transformations and social changes,” Pendse said. “How do those who have come to power behave? What kind of social and economic changes do they implement in the name of ‘humanity’? How do artists and authors behave and create new ‘transformative’ genres?”

The exhibit explores these questions through three major themes: politics, propaganda and the people’s art.

Because of the widespread illiteracy in the Russian Empire at the time, imagery became a potent force in conveying ideas. The result is an exhibit that is “highly visual.”

This poster by Russian artist Dmitry Moor is among the most recognizable pieces of Soviet propaganda. (Dmitry Moor, “Did You Register as a Volunteer?”)
This poster by Russian artist Dmitry Moor is among the most recognizable pieces of Soviet propaganda. (Dmitry Moor, “Did You Register as a Volunteer?”)

Revolutionary posters served as tools of propaganda for the early Soviet government. (You’re probably familiar with the aesthetic, which has served as an inspiration for everything from album covers to candy ads.) The Communists tried to replace familiar religious iconography with images of warriors or workers, symbols that were used to evoke the “just society” they envisioned. And the public art that was created by — and for — the people reinforced the expected norms of equality in the “new world,” Pendse said.

Pendse hopes the exhibit will help students learn about other viewpoints, encourage them “to think outside of the box” and remember the past, he said.

“At the back of my mind is what we can learn from history,” he said.

The exhibit is on view through Jan. 8. See the exhibit on the third floor of Moffitt Library — you’ll need a Cal 1 Card for entry. Click here to see the exhibit’s virtual counterpart.

Resources from the Center for Research Libraries

CRL resources
A political pamphlet from the People’s Republic of China, 1949; Illinois Public Records Project, 1942; Bosnian nationalist newspaper, Zagreb, 1995.

The UC Berkeley Library is a member of the Center for Research Libraries (CRL), a partnership of more than 200 university, college, and independent research libraries. CRL acquires and preserves newspapers, journals, government documents, archives, and other primary source materials from a global network of sources, making them available to researchers through interlibrary loan and digital delivery.

CRL’s deep and diverse holdings support research in the history of science, economics, law and government, immigration and population studies, international diplomacy, and cultural studies.

  • Largest collection of circulating newspapers in North America (more than 16,000 titles with strengths in various global areas and historical U.S. ethnic titles)
  • Primary legal and government resources, including foreign and U.S. state documents
  • Over 800,00 foreign dissertations (mostly from European institutions) dating back to the 1800s
  • Area studies materials—major microform and paper collections from Africa, Latin America, Eastern Europe, the Middle East, South Asia, and Southeast Asia

CRL functions as a branch library of extraordinary resources with user-focused services.

  • Rapid turnaround of loan requests and project-length loan privileges from CRL’s five million items
  • Digitized collections offering over 50 million pages scanned by request or in partnerships
  • Document delivery of articles from the Linda Hall Library of Science, Engineering, and Technology
  • Demand purchase of new materials in three areas of collection strength: foreign dissertations, newspapers, and microform archives

For more information on CRL collections: CRL’s online catalog (holdings are also listed in WorldCat and in some cases in OskiCat)

Center for Research Libraries - Global Resources Network

For more information about the CRL: please contact  Liladhar R. Pendse
(Lpendse (at) library.berkeley.edu), UCB Library coordinator for the CRL.

New blog for International & Area Studies

world map

Today, we are launching a new library blog devoted to international & area studies resources in the Library in an effort to raise awareness of newly acquired materials, tools, services and upcoming events. We hope you will consider subscribing.

To find a specialized librarian for every region of the world, please check the subject librarian directory.

The Russian Revolution Centenary: 1917-2017: Politics, Propaganda and People’s Art

Artist: El Lissitzsky [Lazar Markovich Lisitskii (1890-1941). The poster was created in 1920 in VitebskThis exhibition, curated by Liladhar Pendse (East European, Eurasian and Latin American Studies Librarian), is dedicated to the centenary of the Russian Revolution that took place in October of 1917. The exhibition will take place in the Moffitt Library, from September 11, 2017 through January 8, 2018 and it will highlight several print-items from the revolutionary times.

Attendance restrictions: Access to the Moffitt Undergraduate Library is restricted and you’ll need the UC Berkeley/ Cal Card for entry.

The virtual counterpart of the exhibition is located here:  http://exhibits.lib.berkeley.edu/spotlight/russian-revolution

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